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Thursday, April 21, 2011

You may have read in The Washington Post that The Washington Ballet, like many other arts organizations in D.C., has been significantly affected by the recent cutbacks in government funding. While the government may not have shut down, it did essentially shut down its support of arts in the District of Columbia. 
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Friday, February 11, 2011

By Lisa Traiger
Ballet is dedicated to structure, technique and tradition. Rock-and-roll suggests freedom and rebellion, experimentation and immediacy. The marriage of the two is what makes the Washington Ballet's upcoming triple bill at Sidney Harman Hall so intriguing. 
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Friday, January 28, 2011

By Lisa Traiger
More often than not, a dancer stumbles before she soars. Sarah Walborn breezed through her training years at Central Pennsylvania Youth Ballet, spending summers at San Francisco Ballet School. After high school, she accepted SFB artistic director Helgi Tomasson’s offer to become a trainee, and by her second year was hired as a company apprentice. “I had a phenomenal time,” she says. “I really felt a connection to the company." 
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Tuesday, January 11, 2011

WASHINGTON, D.C. – The Washington Ballet (TWB) rocks into 2011 with Rock & Roll, a triple-threat, triple-bill at Sidney Harman Hall, running February 16 through 20. Featuring Christopher Bruce’s energetic and athletic Rooster, set to the music of the Rolling Stones; Trey McIntyre’s autobiographical High Lonesome, set to the music of Beck; and a revival of Artistic Director Septime Webre’s early hit Fluctuating Hemlines, accompanied by Robert “Tigger” Benford on a rock-tinged all-percussion original score, Rock & Roll celebrates the heart and soul of the company’s artists and a musical genre that continues to electrify the nation. Tickets to Rock & Roll start at only $20 and are available at harmancenter.org, at the Harman Center box office, or by calling 202.547.1122. 
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Thursday, November 18, 2010

Note: The following was a published letter to the editor of the Washington Post on Friday, November 12, 2010
While Sarah Kaufman suggested that the Washington Ballet's recent production of "Romeo and Juliet" was, as the headline put it, "missing passion for perfection" [Style, Nov. 6], I think that Kaufman missed the point of ballet in general. 
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Thursday, October 07, 2010

Outstanding Emerging Performer, Andile Ndlovu.
Outstanding Overall Production in a Large Venue for The Great Gatsby.
Outstanding Individual Performance for Ryan Johnson in The Great Gatsby.
Outstanding Individual Performance for Maki Onuki in Wunderland. 
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Monday, September 13, 2010

Categories include: Outstanding Individual Performance, Outstanding New Work, and Emerging Performer or Group 
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Wednesday, September 08, 2010

New York Times
Tuesday, September 7, 2010
Alastair Macaulay 
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Wednesday, September 08, 2010

The Washington Post
Wednesday, September 8, 2010
Sara Kaufman 
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Wednesday, September 01, 2010

NBC Washington
Tuesday, August 31, 2010
Barbara Harrison 
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