Once again, I’m enjoying a cold Mexican beer as I relive another wonderful ballet event.
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After a year-long search and interviews with many qualified candidates, I’m thrilled to announce that Monique Meunier will join TWB as Ballet Master on August 23, 2010.
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Genius3 closed yesterday with a bang. As I write this, it still feels like I’m swimming in a bowl of mojitos…
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Preparing three contemporary works as different as the individuals who created them is a daunting task. Our upcoming Bolero(+) production features Nicolo Fonte's Bolero, Edwaard Liang's Wunderland and a world premiere by Karole Armitage. Karole started working on her piece right after New Years, and held her rehearsals opposite Gatsby rehearsals.
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It’s been two and a half weeks since The Great Gatsby, and I’m still exhausted.
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TWB: The hardest part of creating The Great Gatsby was...
S. Webre: ...the fact that there was no existing musical score, which serves as a defacto libretto.
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Last night was preview night, and it went so well. It’s amazing how far we’ve come in such a short time. It is a testament to our company of artists that they are able to present such a dazzling production despite what has been a very busy last couple of months.
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3 PM:
It’s intermission during Gatsby dress rehearsal, and I’m relieved that things are going so much better today. Highlights include:
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11:30 PM: Today was tech day for The Great Gatsby…I almost shot myself.
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Despite the threat of “snowpocalypse,” we are hard at work today on both 2010.2011 Season planning and creating Act II dances forThe Great Gatsby. This is not the first time I’ve found myself split between present and future, forgetting what year I’m currently in and wondering how it will all get done. Somehow, it always does.
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